Old_Iron wrote: To be brutally honest, and risking to look like a rant person, I disagree with you all, guys.
Waza Craft is awesome. I like that approach, especially because they are producing them in Japan again and for today's players those pedals are the chance to finally get their hands on quite monumental BOSS effects that would otherwise be out of reach.Old_Iron wrote:Enough of this commemorative edition, waza edition, collaborative edition, edition edition...
Further collaborative editions could be awesome. I really hated to see that they bonded with JHS for the JB-2. I was excited when the Sola Sound TB-2w was announced. Should they ever collaborate with corporations that are cool and creative in my book, I'd like to see the outcome of that.
Well, it's difficult to imagine what could be innovative these days. Everything has already been done that is possible with both analogue and digital circuits. For example BOSS hasn't done a pure ring modulator, but as much as I'd love to see it, it isn't innovative these days (and it hadn't been in the '80s, either). The MO-2 and TE-2 were the last real innovations, but they were based on already existing effect models. We're pretty much at the end of the innovation rope, I fear. There are some rare exceptions, but to be honest: everything is based on stuff that was already done in the last two decades.Old_Iron wrote:I want the "Innovative sound solutions" Boss was famous for in the past.